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Press comments

Wiltshire Creative host online production of Call Cutta at Home

By Katy Griffin
09.04.2021 / https://www.salisburyjournal.co.uk/

Online Theatre: our review of Call Cutta at Home by Rimini Protokoll

By Juan Diego Rodríguez Bazalar
20.02.2021 / El Comercio

THE DIGITAL SHOW USING ITS AUDIENCE AS PERFORMERS

By Louisa Doyle
29.01.2021 / https://www.ayoungertheatre.com/

Eco-Visionaries review – the salt flats will die and the jellyfish shall rise

By Oliver Wainwright
21.11.2019 / www.theguardian.com

„Chinchilla Arschloch, waswas“ at Schauspiel Frankfurt

By Shirin Sojitrawalla
12.04.2019 / www.deutschlandfunk.de

“I have a clown in my head that's bugging me”

By Bernd Noack
12.04.2019 / Spiegel online

Sledge-Hammer

By Eva-Elisabeth Fischer
17.10.2018 / www.sueddeutsche-zeitung.de

Toward A Theater Without Organs: On the Work of Rimini Protokoll

By Dorian Batycka
03.04.2018 / blokmagazin.com

Rimini Protokoll’s ‘Staat 1-4’ at Neues Museum and HKW

By Jess Harrison
09.03.2018 / Berlin Art Link

Theatrical Tour Aboard a Freight Truck Pulls into Lausanne

By Fabienne Darge
08.02.2018 / Le Monde

Who will eat cake: Rimini Protokoll at MCASB

By Debra Herrick
29.03.2017 / Artillerymag.com

Heather guides us through Mister Ritchie's Neighborhood

By Don Shirley
21.03.2017 / La Observed

Remote L.A.: Theatrical City Adventure

By Alysia Gray Painter
21.03.2017 / NBC Los Angeles

Rimini Protokoll’s ‘Home Visit USA’

By Charles Donelan
23.02.2017 / Santa Barbara Independent

Training to Be a Spy at the Brooklyn Museum

By Zachary Small
10.01.2017 / Hyperallergic

Review: Voices in Your Head, and a Sense of Being Trapped

By Elisabeth Vincentelli
09.01.2017 / New York Times

The spy who came out of the loo

By Bernd Noack
11.12.2016 / www.spiegel.de

International: The new documentary theatre of Germany’s Rimini Protokoll

By Matt Trueman
07.07.2016 / The Stage

Great theatre night without actors

By Klas Libuda
21.06.2016 / RP Online

Step into the global arms trade in Luminato’s Situation Rooms

By Simon Houpt
14.06.2016 / The Globe and Mail

The Situation Rooms is an immersive journey, opening the fourth wall between spectator and performer

By Mike Doherty
14.06.2016 / National Post

What it's like to play a real life video game in Toronto

By Amy Grief
13.06.2016 / blog TO

Situation Rooms immerses audiences into the international arms trade: review

By Carly Maga
11.06.2016 / The Star

Hitler er vendt tilbage til Tyskland – med stor succes

By Erik Jensen
29.11.2015 / Politiken

The Group “Rimini Protokoll” takes on “Mein Kampf” in Mannheim

By Johannes Breckner
17.11.2015 / Wiesbadener Kurier

Journey into the Taboo Zone

By Otto Paul Burkhardt
16.11.2015 / Südwest Presse

Mein Kampf: strange tales of the world's most dangerous book

By Kate Connolly
03.11.2015 / the guardian

Hitler, Mein Kampf en ik

By Antoine Verbij
08.10.2015 / De Groene Amsterdammer

Premiere Critic: Rimini Protokoll’s "Mein Kampf"

By Simone Dattenberger
03.10.2015 / Münchner Merkur

EU-teatret kommer til et hjem naer dig

By Solveig Gade
11.09.2015 / Weekendavisen

European Cake Mix

By Marco Wedig
17.05.2015 / taz.de

We are the Performers

By Nikolaus Stenitzer
06.05.2015 / Nachtkritik

Home Visit Europe in HAU Berlin

By Elisabeth Nehring
06.05.2015 / Deutschlandradio Kultur

‘Remote New York’, a Tour From Brooklyn to Greenwich Village

By JENNIFER SCHUESSLER
12.03.2015 / The New York Times

Choose your weapon

By Linus Ignatius
10.12.2014 / Exberliner

Situation Rooms by Rimini Protokoll – review

By Vicky Frost
18.02.2014 / the guardian

Situation sucks you in

By Stephen Bevis
10.02.2014 / The West Australian

Art to promote empathy

By Eva-Maria Magel
31.10.2013 / FAZ

In the body of the soldier, in the soul of the war victims

By Kaspar Heinrich
21.08.2013 / Spiegel online

Avignon or Lagos: how remote (controlled) are we?

By Rosslyn Hyams
14.07.2013 / www.english.rfi.fr

Cork’s vital statistics

By Peter Crawley
02.07.2013 / The Irish Times

100% CORK

02.07.2013 / The Munster Express

Cork’s vital statistics

By Peter Crawley
02.07.2013 / The Irish Times

Tonight’s show: Capitalism performing Democracy

By Johan Varning Bendtsen
18.12.2012 / grasp.dk

Virkelighet med ibsenfilter

By Nationaltheatret Oslo / Rimini Protokoll
09.08.2012 / Nationaltheatrets Repertoarmagasin Høsten 2012

100% London, Hackney Empire

By Catherine Love
01.07.2012 / Fourth Wall Magazine

100% London tells the capital's story through its inhabitants

By Sarfraz Manzoor
29.06.2012 / The Guardian

100% London

By Caroline McGinn
28.05.2012 / Time Out

100% Melbourne

By Alison Croggon
24.05.2012 / theatrenotes.blogspot.com

You can’t get better than 100%

By Anne-Marie Peard
04.05.2012 / aussietheatre