Team

After studying cultural studies in Frankfurt Oder and cultural management in Santiago de Chile, she was project coordinator at Goethe-Institut Chile from 2010 to 2016, responsible for theatre, dance, international co-productions and artist residencies. She works freelance as a production manager and translator for the Chilean Ministry of Culture, the Free University of Berlin, the International Theatre Festival Santiago a Mil and is involved with Rayuela Kollektiv, an association which explores topics such as exile, migration and memory. Maitén has been working at Rimini Protokoll since 2017 and is responsible for company management together with Juliane Männel.

Selected projects

The Caucasian Chalk Circle - Production management
The Walks - Production management
Rimini Protokoll 2000-2020 - Priduction management
Granma. Trombones from Havana - Production management
win > < win - Production management

Evi Bauer studied Design for Performance at Wimbledon School of Art/University of the Arts London in 2006 and startet to work as a Stage Design Assistant at Münchner Kammerspiele. During that time she did further Studies in Fine Art at Academy of Fine Arts in Munich and graduated in 2010. Since then until today she carried on to work there as a permanent Lecturer and Tutor in the Stage Design Course of Katrin Brack as well a in other Art Institutions.
Since 2009 she has been working as a Stage and Costume Designer in permanent collaborations with Rimini Protokoll, Sebastian Nübling, Miloš Lólić, Felix Rothenhäusler.

Selected projects

All right. Good night. - Stage
Uncanny Valley - Equipment
Volksrepublik Volkswagen - Stage
Security Conference - Set design

Studied art history, philosophy and cultural studies in Berlin, Buenos Aires and Mexico City. Between 2009 and 2014 he worked as a dramaturge at Schauspiel Hannover, where he directed the five-year plant theatre project "Die Welt ohne uns" (The World Without Us), and at Hebbel am Ufer, where he worked for the first time with Stefan Kaegi in Bodenprobe Kasachstan and Remote X. From 2014 dramaturg at the Gorki Theater Berlin, where he worked with directors such as Oliver Frljic, Marta Gornicka and Lola Arias, as well as chiefdramaturg of the festival Berliner Herbstsalon (15/17/19). Since 2020 dramaturge at the Ruhrtriennale for interdisciplinary projects.

Selected projects

Symposium: Flic Flac in Amazonien - Host
Granma. Trombones from Havana - Dramaturgy and stage
Safety Cards - Dramaturgy
Black Box - Dramaturgy
All right. Good night. - Outside Eye
Black Box - Dramaturgy
Safety Cards - Dramaturg
DO's & DON'Ts - Dramaturgy / Co-concept
App Recuerdos - Member of directing team
Truck Tracks Ruhr - Co-concept / Co-direction
Volksrepublik Volkswagen - Dramaturgy
Remote X - Co-dramaturgy
Bodenprobe Kasachstan (Soil Sample Kazakhstan) - Co-dramaturgy

Frank Böhle studied Applied Cultural Studies and Aesthetic Practice in Hildesheim. Since 2000 he has been engaged as a sound engineer for theaters and festivals, and freelances in the areas of sound design and music production for theater, film and audio drama. His body of work includes collaborations with Rimini Protokoll, RuhrTriennale, Schauspielhaus Bochum, HAU Hebbel am Ufer Berlin, WDR and SWR.

Selected projects

16 Scenes for a Forest - Sound, mixing
Outside the Bubble - Sound mix
WIR - HIER - Composition
The Walks - Sound design/Mix
DO's & DON'Ts - Sound design
100% Marseille - Sound design
Truck Tracks Ruhr - Music (with Rasmus Nordholt)
100% Amsterdam - Sound design
Situation Rooms - Sound design
PAYDAY (Radioplay) - Sound design
100% Cologne - Sound design
Deadline (radio play) - Co-direction
Breaking News - Sound / Sound design
Transcreceiver - Sound design

Sebastian Brünger studied Business Administration and Political Science in Mannheim and Baltimore. 2016 PhD at the HU Berlin on how German companies deal with their Nazi past. From 2004 he worked first as an assistant, from 2007 as a dramaturge for Rimini Protokoll and researched subjects and people for projects. Since 2016 he is a research associate at the Federal Cultural Foundation and manages the funding program "Doppelpass".

Selected projects

100% Braunschweig - Dramaturgy / Co-direction
Quality control - Dramaturgy / Research
Herrmann's Battle - Dramaturgy / Research
Black Tie - Dramaturgy / Research
Mr. Dağacar and the Golden Tectonics of Trash - Dramaturgy
100% Vienna - Dramaturgy
100% Kraków - Co-direction
100% Riga - Dramaturgy / Co-direction
Adolf Hitler: Mein Kampf, Vol. 1 & 2 - Dramaturgy / Research
100% Tokyo - Dramaturgy / Co-direction
Radioortung - 10 kilometres of files Dresden - Co-direction
50 kilometres of files - Dramaturgy / Research
Prometheus in Athens (Lecture Performance) - Dramaturgy
Prometheus in Athens - Dramaturgy
Vùng biên giới - Dramaturgy / Research
The sorcerer's apprentice - Research / Co-dramaturgy
Annual Shareholders Meeting - Dramaturgy / Research
Breaking News - Dramaturgy / Research

Selected projects

Nachlass - Pièces sans personnes - Video design
Radio Muezzin - Video design
Airport kids - Video design

After studying cultural studies in Bologna and cultural management in Barcelona, she moved to Berlin in 2008 and worked as a freelance production manager for projects at several theaters as Sophiensaele, Ballhaus Naunynstrasse, Akademie der Künste, Radialsystem, and HAU Hebbel am Ufer. She was the company manager for the theatre collective andcompany&Co. and priduction manager for Tanzplattform Deutschland Berlin.

In addition to dance theatre productions, she worked in artist support and guest management for Tanz Im August, EFA - European Film Awards, the Italian Film Festival Berlin and the Berlinale.

Since 2019 she has been working as a production manager and as a tour manager at Rimini Protokoll.

Selected projects

Shared Landscapes - Coordination
16 Scenes for a Forest - Touring Management
Conference of the Absent - Touring Management
Uncanny Valley - Touring Management
Remote X - Touring Management

graduated in cultural management from the École Nationale des Arts et Techniques du Théâtre in Lyon (France).
She has worked as a production manager for the Théâtre National de Bretagne in Rennes (France) and as part of various cultural projects such as the FIND 2016 festival and the subtitle project "Suburbia". She also worked as assistant to the curator for "Beethoven bei uns"- the opening event of the Beethoven anniversary year.
She was production manager at Constanza Macras | DorkyPark and joined Rimini Protokoll as production manager in February 2022.

Selected projects

la danse d‘amazon - Production management
Shared Landscapes - Coordination
URBAN NATURE - Touring Management

Lara Fischer studied history in Munich and Bologna. She gained her first work experience at the Goethe Institute Nairobi in the cultural programme and at the Haus der Kulturen der Welt in the department of visual arts and film. At Humboldt University Berlin, Lara completed the interdisciplinary Master's programme Culture and Religion. Since 2021 she has been working, among others, in the event as well as guest management for the Berlin International Film Festival and as a production manager for projects by Rimini Protokoll.

Selected projects

Shared Landscapes - Coordination

Mikko Gaestel is a visual artist and filmmaker living in Berlin. He studied Art and Media at University of the Arts Berlin and Fine Arts at Iceland Academy of the Arts Reykjavik, finishing with a Meisterschüler degree. He has been working for numerous international theatre projects, including Elmgreen & Dragset, Rimini Protokoll and Lola Arias.
His own works have been exhibited at institutions including Goethe Institute New York, Bremerhaven Art Museum, Museum of Contemporary Art Helsinki, Future Gallery Berlin and Dumbo Arts Center New York. 
His documentary feature debut »The Great Fortune« won the Grand Prize at Belgrade international Film Festival 2016.
He is part of the collective Expander (together with Lilli Kuschel and Stefan Schmied), for many projects from Rimini Protokoll they created the video documentary.

 

 

Selected projects

Granma. Trombones from Havana - Video
Uncanny Valley - Video design
Davos State of the World / Weltzustand Davos (State 4) - Video design
Society under Construction/ Gesellschaftsmodell Großbaustelle (State 2) - Video design

Katja Hagedorn wurde1976 in Hamburg geboren. Sie studierte Komparatistik, Anglistik und Germanistik in Mainz, Dublin und Berlin. Danach arbeitete sie als Regie- und Dramaturgieassistentin am Maxim Gorki Theater und am Deutschen Theater Berlin, wo sie auch erste Dramaturgien übernahm. Bei verschiedenen Produktionen in Schweden und Norwegen arbeitete sie mit dem schwedischen Dramatiker und Regisseur Lars Norén zusammen. Von 2009 bis 2013 war sie Dramaturgin am Schauspielhaus Zürich, wo sie unter anderem mit Barbara Frey, Karin Henkel, Daniela Löffner, Sebastian Nübling, Rimini Protokoll, Ruedi Häusermann, René Pollesch und Stefan Pucher zusammenarbeitete. Außerdem ist sie als Übersetzerin tätig und nimmt einen Lehrauftrag für Dramaturgie an der Staatlichen Akademie der Bildenden Künste Stuttgart und der Universität Luxemburg wahr. Seit 2013 arbeitet sie als freischaffende Dramaturgin, zum Beispiel am Maxim Gorki Theater Berlin, dem Schauspielhaus Zürich, der Oper Amsterdam, dem Théâtre Vidy Lausanne, dem Berliner Ensemble oder beim Manchester International Festival. Eine regelmäßige Zusammenarbeit verbindet sie inbesonders mit Sebastian Nübling, Rimini Protokoll und Ruedi Häusermann. 

 

Selected projects

Utopolis - Dramaturgie
Temple du présent. - Dramaturgy
Heuschrecken (Locusts) - Dramaturgy
Nachlass - Pièces sans personnes - Dramaturgy
Home Visit Europe - Dramaturgy

Dominic Huber is a scenographer and works regularly as a project author of his own productions with actors, spaces and animated situations in theaters, museums or in real locations. He is particularly interested in the shifts in reality for spectators and visitors in the role of active observers. As a stage designer he works regularly with Toshiki Okada, Sebastian Nübling and Lola Arias. The intensive collaboration with Rimini Protokoll started 2008.

Selected projects

Art Museum Solothurn: Rimini Protokoll - Scenographic collaboration
Société en chantier / Society under Construction - Stage
URBAN NATURE - Concept and Scenografie
Davos State of the World / Weltzustand Davos (State 4) - Stage
Society under Construction/ Gesellschaftsmodell Großbaustelle (State 2) - Stage design
Nachlass - Pièces sans personnes - Co-Concept / Scenography
World Climate Change Conference - Rooms
Situation Rooms - Scenography
Heuschrecken (Locusts) - Stage
Airport kids - Stage / Light

Marc Jungreithmeier ist ein Licht- und Videodesigner. Seine medialen Arbeiten reichen von Videoinstallationen, Videobespielungen von Theatrräumen in Performances, Schauspiel und Oper, Outdoor-Mapping-Projekten bis hin zu Animations- und Trickfilmen. Sein Schwerpunkt liegt in der Gestaltung von Theaterräumen durch Licht und Video.

Er studierte Angewandte Theaterwissenschaft an der Justus Liebig Universität in Gießen.
Marc Jungreithmeier war mehrfach an Produktionen von Rimini Protokoll beteiligt und entwickelte u. a. das Bühnenbild und Videodesign für die Produktionen „Qualitätskontrolle“ (2013) und „Adolf Hitler – Mein Kampf Band I und II“ (2015).
Zudem zeichnete er sich für das Videodesign der Stücke „Chinchilla Arschloch, was was“ und „All right. Good night.“ von Helgard Haug verantwortlich. Beide Stücke zählten 2020 und 2021 zu den Gewinnern des Berliner Theatertreffens.
2017 wurde ihm der Musical-Theater-Preis für die Produktion „Der Tunnel“ im Bereich Bestes Bühnenbild verliehen.
Seit 2017 arbeitet Marc Jungreithmeier unter dem Label STUDIO6, das sich in den Bereichen der Theater- und Museumsarbeit, übergreifender multimedialer Installationen, Konzerten, Shows- und Eventprojekten engagiert. Hierzu gehören auch Outdoor- und Fassadenprojektionen, sowie kommerzielle Werbespots, wie die Projektion auf die Fassaden im Backlot Babelsberg für die den Werbespot „This is our Genesis“ von 2021.

 

Selected projects

The Caucasian Chalk Circle - Video design and light design
Art Museum Solothurn: Rimini Protokoll - Technical collaboration
16 Scenes for a Forest - Video
Chinchilla Arsehole, eyey - Video
Conference of the Absent - Video/Light design
All right. Good night. - Video/Light design
100% Marseille - Stage design
City as Stage - Video concept/design
brain projects - Video design
100% Yogyakarta - Stage design
Adolf Hitler: Mein Kampf, Vol. 1 & 2 - Stage design / Video design
100% Penang - Stage design
100% Kraków - Lightning design / Video design
100% Dresden - Stage design
Quality control - Stage design / Lighting design / Video mapping
100% Zurich - Stage design
An Enemy of the People in Oslo - Stage design
100% London - Stage design
100% Cologne - Video design / Lightning design
Herrmann's Battle - Assistance Stage / Lighting design / Video design
Black Tie - Stage design / Lighting design
Breaking News - Stage design

He completed an education as a display artist with Karstadt in Saarbrücken, before moving to Berlin in February '89. Here he studied theatre studies and comparative literature at Freie Universität, while running the independent venue “Theaterdock in der Kulturfabrik” together with Gesine Danckwart and other students.

In 1998, he meets René Pollesch and becomes his assistant for the Heidi Hoh-trilogy at Podewil in Berlin. Together with Pollesch he moves to Schauspielhaus Hamburg in 2000, where, for three years, he works as the director's assistant of Stefan Pucher, Jan Bosse, Michael Laub, Luc Perceval and Jérôme Bel. Questions of representation and the (public) space move more and more into the centre of his interest.

A close collaboration with Stefan Kaegi for Cargo Sofia-Xbegins in 2005. For four years, Karrenbauer tours, together with two Bulgarian truck drivers, through Europe and the Middle East, before developing new versions for festivals in Tokyo, Singapore and the EXPO in Shanghai. Together with Kaegi and Lola Arias he implements the festival Ciudades Paralelas in Cork, Warsaw and Singapore and sets up Call Cutta in a Box in multiple cities.

Together with Aljoscha Begrich, Helgard Haug and Kaegi, he reactivates the Cargo-Truck as a mobile auditorium for Truck Tracks Ruhrand subsequently develops DO's & DONT's with Begrich and Haug. Since 2013, he sets up and adapts Kaegi's audiowalk Remote X in large and small cities around the world.

Selected projects

CARGO Shanghai - Friesland - Direction adn script Friesland
Cargo Sofia-X - Co-direction
Cargo Asia - Co-direction
Remote X - Co-direction
Truck Tracks Ruhr - Co-direction
DO's & DON'Ts - Co-concept / Co-text / Co-direction

Selected projects

Home Visit Australia - Interaction design
Home Visit: Brasil em casa - Interaction design
Home Visit USA - Interaction design
Home Visit Europe - Interaction design
Situation Rooms - Lightning design

Juliane is a production manager and dramaturge who lives and works in Berlin. Since 2017 she's company manager of the Berlin based theatre-label Rimini Protokoll. Since 2008 she regularly works with Rimini Protokoll ("All right. Good Night.", "URBAN NATURE", "Chinchilla Arsehole, eyey", "CARGO X", "Bubble Jam" etc.) and the Swiss Set Designer Dominic Huber ("Hotel Savoy", “Waiting for the Barbarians", “Forever Yours”). In 2008 she produced the theatre festival “100 Grad Berlin” at HAU Hebbel am Ufer Berlin, amongst others she was assisting Hans Werner Kroesinger, Hannah Hurtzig/Mobile Academy and Chris Kondek. Juliane Männel studied dramaturgy at the University of Music and Theatre "Felix Mendelssohn Bartholdy" in Leipzig.

Selected projects

Utopolis - Production management
Société Anonyme - Production management
All right. Good night. - Dramaturgy
URBAN NATURE - Production management
100% Berlin reloaded - Production management
Bubble Jam - Production management
Chinchilla Arsehole, eyey - Production management
DO's & DON'Ts - Production management
Home Visit Europe - Production management
Remote X - Dramaturgy
Bodenprobe Kasachstan (Soil Sample Kazakhstan) - Production management
Radio Muezzin - Production management

Renée is a trained event manager. Before her education, she worked for four years as a prompter at the Deutsches Nationaltheater and the Staatskapelle Weimar and developed the installation "Payback Box" as part of the Kunstfest Weimar. Her independent directing project at the D.A.S.Jugendtheater e. V. at stellwerk in Weimar, had previously led her to study art therapy. Since 2018, Renée has been working at Rimini Protokoll as tour manager and is in charge of organisation & administration.

Selected projects

Chinchilla Spin-off, eyey - Production management
50 kilometres of files - Touring Management
Outside the Bubble - Production management
Chinchilla Arsehole, eyey - Touring Management

Andreas Mihan studied Applied Theater Studies in Giessen and works as a writer, director, light and video artist. The aim of his documentary-fictitious works is to break up the view of actual events and to trace the contour of the real in the space of possibility by linking it with artistic questions. 

Selected projects

All right. Good night. - Technical direction
100% Klagenfurt - Lightning design / Video design
100% Stellenbosch - Technical Director / Lightning design / Video design
100% São Paulo - Stage design adaption
Adolf Hitler: Mein Kampf, Vol. 1 & 2 - Technical coordination / Lighting design
100% Paris - Stage design adaption / Technical direction / Lightning- and projection design
100% Gwangju - Stage design adaption

Barbara Morgenstern is an electronic musician, composer and producer.
Since 1998 she has released a total of 9 records, most recently on the Berlin label Staatsakt, which were accompanied by numerous live performances, including a world tour with the Goethe Institute in 2003/2004. She has collaborated with Robert Wyatt, Robert Lippok, Bill Wells, Stefan Schneider, Hauschka, Lucrecia Dalt, Julia Kent, Gudrun Gut, T.Raumschmiere, Justus Köhncke and Station 17, among others.
From 2007 - 2021 she directed the "Choir of World Cultures" at the Haus der Kulturen der Welt Berlin, for which she composed, arranged and designed the programme.
She has worked continuously with Rimini Protokoll since 2012.

Selected projects

The Caucasian Chalk Circle - Composition
Chinchilla Arsehole, eyey - Composition & Music
All right. Good night. - Composition
DO's & DON'Ts - Composition
brain projects - Music / Composition
Quality control - Music
LAGOS BUSINESS ANGELS - Musical director / Composition

Nikolas Neecke a.o. Studies in Audio-Design in the "Elektronisches Studio" at the Highschool of Music in Basel with Diploma. Working as freelancer in Sounddesign, Composing and Production of music for different purposes so as Theater, Silent Movies, Videoinstallations, Fashionshows and Lectures. Realisation of interactiv Soundinstallations and Soundart that are presented under the label "SONOgames" and "useful_updates".

Selected projects

Black Box - Sound design
Mnemopark - Composition
Mnemopark - Composition
100% Gwangju - Sound design
Remote X - Sound design concept

Cornelius Puschke ist Dramaturg, Autor und Dozent. Er absolvierte ein Studium der Kulturanthropologie und Germanistik und hatte Engagements am Maxim Gorki Theater und den Berliner Festspielen. Darüber hinaus war er Gastprofessor für Dramaturgie an der HAW Hamburg. Mit Rimini Protokoll entwickelt er seit 2007 Projekte.

Selected projects

The Walks - Idea and dramaturgy
Chinchilla Arsehole, eyey - Dramaturgy
100% Berlin reloaded - Research and Dramaturgy
100% Berlin - Research and Dramaturgy

studied German, English and American Studies as well as Media Cultural Studies in Düsseldorf, Prague and Cologne (Institute for Media Culture and Theater). After working at the Düsseldorf Schauspielhaus and in addition to production assistances for various performing arts festivals (including Impulse Theater Festival since 2018), he lives and works in Berlin and is production manager for projects by Rimini Protokoll.


 

Selected projects

la danse d‘amazon - Production management
Art Museum Solothurn: Rimini Protokoll - Production management
The Walks - Touring Management

Grit Schuster is an interaction designer, game designer and video artist based in Berlin. 
For Rimini Protokoll she designs and animates video contents and implements custom-tailored systems for protagonists or participants to interact with elements of the performance.

Selected projects

Dreaming Collectives. Tapping Sheep/ Träumende Kollektive. Tastende Schafe (State 3) - Video animation
brain projects - Video animation
Adolf Hitler: Mein Kampf, Vol. 1 & 2 - Interaction design
Home Visit Europe - Interaction design
Quality control - Video / Video mapping
Black Tie - Interaction design

Louise Stölting studied cultural studies and aesthetic practice in Hildesheim and social and economic communication at the UdK in Berlin.

After working periods at the Theater an der Parkaue, KOW Galerie, Pilecki Institute Berlin, Fusion Festival, Zuhören Festival for culture and politics by Sasha Waltz, Gutiérrez / Dietrich / Rugamba at Kampnagel and since 2011 programming the at.tension Festival of Kulturkosmos e.V., she joined Rimini Protokoll in February 2020 as production manager.

Selected projects

Feast of Food - Touring management
The Caucasian Chalk Circle - Touring Management
All right. Good night. - Production management
Utopolis - Touring Management
School Visit Europe - Production management
Home Visit Europe - Touring Management
1000 Scores - Production management

Ioanna Valsamidou studied Business Administration (BA), Psychology (MA) and Theatre.
Since 2011 she is working as a theatre creator, writer and dramaturg. Her phd. dissertation in Viadrina Europa Universitaet, is an experimental research on biographies and theatrical experiences, for which she wrote and co-directed the performances   "I/The Gambler" (2016), and "Rouletenburg" (2017), with the participation of ex-addicts in gambling and their wives.  
She co-founded and directs artistically since 2015, with Yolanda Markopoulou, the greek platform "mind the fact", an artistic laboratory project with vulnderable groups: refugees, homeless, juvenile offenders, ex-addicts,  children living in shelters. This permanent work culmiates in presentations like an international festival "with real stories of people living amongst us, not always visible"- for 2017 funded by Stavros Niarchos Foundation. 
 

Selected projects

Dreaming Collectives. Tapping Sheep/ Träumende Kollektive. Tastende Schafe (State 3) - Co-author
Evros Walk Water 1&2 - Dramaturgy
Evros Walk Water - Dramaturgy

Sound designer, performer and self-taught drummer, Stéphane Vecchione, born in 1971 in Yverdon-les Bains, trained as an actor, at the Conservatoire de Lausanne, in the Dramatic Arts section, from 1995 to 1999.
He then worked as a performer and/or musician for many artists and companies including Rimini Protokoll, Clédat & Petitpierre, Massimo Furlan, Nicole Seiler, Philippe Saire, Denis Maillefer, Yasmine Hugonnet,. He is also a member of the group Velma (important band and performance collective based in Lausanne) and Deviation (sound installation collective based in Lausanne.)
In 2002, he received a prize for "young music creators" from the Vaud Foundation for the promotion of artistic creations. In 2010 he founded his company SORI, to develop his own work through performance and sound.
In 2014 he started his collaboration with Ruth Childs first with their musical duo SCARLETT'S FALL and then their stage piece The Goldfish and the Inner Tubein 2018. 

Selected projects

Temple du présent. - Music
Cargo Congo-Lausanne - Music
Black Box - Music
Société en chantier / Society under Construction - Music
Airport kids - Music